A good old fashioned French throwdown…over the fate of the semicolon.
In the red corner, desiring nothing less than the consignment of the semicolon to the dustbin of grammatical history, are a pair of treacherous French writers and (of course) those perfidious Anglo-Saxons, for whose short, punchy, uncomplicated sentences, it is widely rumoured, the rare subtlety and infinite elegance of a good semicolon are surplus to requirements. The point-virgule, says legendary writer, cartoonist and satirist François Cavanna, is merely “a parasite, a timid, fainthearted, insipid thing, denoting merely uncertainty, a lack of audacity, a fuzziness of thought”.
Philippe Djian, best known outside France as the author of 37°2 le matin, which was brought to the cinema in 1986 by Jean-Jacques Beneix as Betty Blue and successfully launched Beatrice Dalle on an unsuspecting world, goes one step further: he would like nothing better than to go down in posterity, he claims, as “the exterminating angel of the point-virgule”. Objectionable English-language typesetting practices, as used by most of the world’s computers, are also to blame for the semicolon’s decline, its defenders argue.
In the blue corner are an array of linguistic patriots who cite Hugo, Flaubert, De Maupassant, Proust and Voltaire as examples of illustrious French writers whose respective oeuvres would be but pale shadows of themselves without the essential point-virgule, and who argue that – in the words of one contributor to a splendidly passionate blog on the topic hosted recently by the leftwing weekly Le Nouvel Observateur – “the beauty of the semicolon, and its glory, lies in the support lent by this particular punctuation mark to the expression of a complex thought”. [...]
To listen to France’s small but growing army of semicolon fans, the full-frontal assault on the semicolon launched by uncultured modern writers and journalists and spearheaded by those idiot Anglo-Saxons is, sadly, just another symptom of the present-day malaise of French language and culture.
I myself am in favor of the judicious use of semicolons.
The end of the article includes thoughts on the semicolon from various writers and thinkers. My favorites:
You practically do not use semicolons at all. This is a symptom of mental defectiveness, probably induced by camp life.
George Bernard Shaw to TE Lawrence, on the Seven Pillars of Wisdom
No semicolons. Semicolons indicate relationships that only idiots need defined by punctuation. Besides, they are ugly.
Richard Hugo, The Triggering Town: Lectures and Essays on Poetry and Writing
If you really want to hurt your parents, and you don’t have the nerve to be a homosexual, the least you can do is go into the arts. But do not use semicolons. They are transvestite hermaphrodites, standing for absolutely nothing. All they do is show you’ve been to college.
Kurt Vonnegut
I use it. I’ve no feelings about it – it’s just there. People actually get worked up about that kind of shite, do they? I don’t fucking believe it. They should get a fucking life or a proper job. They’ve got too much time on their hands, to think about nonsense.
Irvine Welsh